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Fireplaces » Electric Fireplaces » Mantels
(430) Mantels
A construction framing the opening of a fireplace and usually covering part of the chimney breast in a more or less decorative manner, also called a mantelshelf.
Fireplace mantel or mantelpiece, also known as a chimneypiece, originated in medieval times as a hood that projected over a grate to catch the smoke. The term has evolved to include the decorative framework around the fireplace, and can include elaborate designs extending to the ceiling.
Mantelpiece is now the general term for the jambs, mantel shelf, and external accessories of a fireplace.
No soot, smoke, odor or mess!
Fireplace mantel or mantelpiece, also known as a chimneypiece, originated in medieval times as a hood that projected over a grate to catch the smoke. The term has evolved to include the decorative framework around the fireplace, and can include elaborate designs extending to the ceiling.
Mantelpiece is now the general term for the jambs, mantel shelf, and external accessories of a fireplace.
No soot, smoke, odor or mess!
Historical Information of the Mantel
Up to the twelfth century, fires were simply made in the middle of a home by a hypocaust, or with braziers, or by fires on the hearth with smoke vented out the lantern in the roof. As time went on, the placement of fireplaces moved to the wall, incorporating chimneys to vent the smoke. This permitted the design of a very elaborate, rich, architectural focal point for a grand room.
The earliest known chimneypiece is in the Kings House at Southampton, with Norman shafts in the joints carrying a segmental arch, which is attributed to the first half of the twelfth century. At a later date, in consequence of the greater width of the fireplace, flat or segmental arches were thrown across and constructed with archivolt, sometimes joggled, with the thrust of the arch being resisted by bars of iron at the back.
In domestic work of the fourteenth century, the chimneypiece was greatly increased in order to allow of the members of the family sitting on either side of the fire on the hearth, and in these cases great beams of timber were employed to carry the hood; in such cases the fireplace was so deeply recessed as to become externally an important architectural feature, as at Haddon Hall. The largest chimneypiece existing is in the great hall of the Palais des Comtes at Poitiers, which is nearly 30 feet (9.1 m) wide, having two intermediate supports to carry the hood; the stone flues are carried up between the tracery of an immense window above.
The history of carved mantels is a fundamental element in the history of western art. Every element of European sculpture can be seen on great mantels. Many of the historically noted sculptors of the past i.e. Augustus St. Gaudens designed and carved magnificent mantels, some of which can be found on display in the worlds great museums. Exactly as the facade of a building is distinguished by its design, proportion, and detail so it is with fine mantels. The attention to carved detail is what defines a great mantel.
The earliest known chimneypiece is in the Kings House at Southampton, with Norman shafts in the joints carrying a segmental arch, which is attributed to the first half of the twelfth century. At a later date, in consequence of the greater width of the fireplace, flat or segmental arches were thrown across and constructed with archivolt, sometimes joggled, with the thrust of the arch being resisted by bars of iron at the back.
In domestic work of the fourteenth century, the chimneypiece was greatly increased in order to allow of the members of the family sitting on either side of the fire on the hearth, and in these cases great beams of timber were employed to carry the hood; in such cases the fireplace was so deeply recessed as to become externally an important architectural feature, as at Haddon Hall. The largest chimneypiece existing is in the great hall of the Palais des Comtes at Poitiers, which is nearly 30 feet (9.1 m) wide, having two intermediate supports to carry the hood; the stone flues are carried up between the tracery of an immense window above.
The history of carved mantels is a fundamental element in the history of western art. Every element of European sculpture can be seen on great mantels. Many of the historically noted sculptors of the past i.e. Augustus St. Gaudens designed and carved magnificent mantels, some of which can be found on display in the worlds great museums. Exactly as the facade of a building is distinguished by its design, proportion, and detail so it is with fine mantels. The attention to carved detail is what defines a great mantel.
Other Languages
- Spanish: Repisa de la chimenea
- French: Tablette de cheminée
- German: Die Kamineinfassung
- Japanese: マントルピース
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